Grade 1
The main theatre. Reference projection, calibrated weekly, and enough seats that the director can bring the producer.
Baselight / 4K DCI / Dolby Vision
COLOUR / FINISHING / MASTERING
The last room the picture goes through
Two grading suites, one conform bay, and a colourist who will tell you when the answer is a reshoot rather than a window. We finish features, series and the occasional commercial that deserves the room.
Book the bayDrag it. The scopes are real.
Left of the handle is the camera original in log. Right of it is the delivered grade. The parade and the vectorscope below are measured from those exact pixels, not illustrated, which is why the source sits in a narrow band and the grade reaches both ends.
Feature / 4K ARRIRAW / TC 01:14:22:08
SOURCE / LOGGRADED
Source
parade / vector
Graded
parade / vector
The rooms
Grade 2
The working suite. Same pipeline, smaller room, and where most of a series actually gets finished.
Baselight / HDR and SDR trims
Conform and finishing
Online conform, VFX pulls, titles, and the versioning nobody budgets for until the week before delivery.
Full IMF and ProRes deliverables
Remote grading
Calibrated streaming to your room, colour accurate, with the colourist live on the line rather than sending stills.
Streambox / ClearView
Send us a reel and a delivery date.
- Telephone
- +44 20 7434 9020
- Address
- 18 D'Arblay Street, London W1F
- Room
- Grade 1 / Soho, London